In an earlier post I mentioned that Michael Jackson had a past life as Mozart. I had suspected this a few years prior to his death, but was never "really" sure. When he passed, I viewed his past lives as if they were my own. It seemed to be like a shared viewing, and Mozart was one of the lifetimes that was reviewed. Although this was not his last lifetime, it was one that held great prominence for him this time around.
I went to Paris a few years back to revisit my past life there during that time and to meet Michael. He was staying abroad then and I wanted him to come back to the states. He had just gone through his last molestation trial and was very bitter about staying in the US. I, however, was concerned if he didn't, he would have unfinished karma and wanted him to face what he needed to before one of us passed.
Wolfgang Amadeus Mozart, as most everyone knows, was a famous composer born in Austria in 1756. He was considered a prodigy at a very young age and played for the royal courts in many countries. (Michael during this lifetime also began his musical career at a young age and played private performances for royalty) His father, who was also a musician, eventually gave up composing when his son's musical talents became evident. ( A fact also present with Michael and his father this time around). During Mozart's youth, his family made several European journeys in which he and Nannerl performed as child prodigies. (The Jackson family also made journeys or "tours" performing around the world. I believe that Nannerl, Mozart's sister, was Janet, Michael's this time around sister. However, it's only an observation. I have had no experiences or witness to this fact, only a "feeling".)
Mozart's father exchanged intense letters with his son, urging him to be reconciled with their employer. Mozart passionately defended his intention to pursue an independent career in Vienna. The debate ended when Mozart was dismissed by the archbishop, freeing himself both of his employer and his father's demands to return. Solomon characterizes Mozart's resignation as a "revolutionary step", and it greatly altered the course of his life. (This passage was taken from Wikipedia, but also is reminiscent of the relationship this time around with Michael's dad. Michael also changed the course of his life when he decided to act independently and begin his solo career this time around.)
He was small and his countenance, except for his large intense eyes, gave no signs of his genius." His facial complexion was pitted, a reminder of his childhood case of smallpox. (This time Michael also had complexion problems and large intense eyes.) He loved elegant clothing. (Michael liked to dress) Kelly remembered him at a rehearsal: "[He] was on the stage with his crimson pelisse and gold-laced cocked hat,
(maybe like the one at right?) giving the time of the music to the orchestra.(You can see him giving time to the orchestration in the This Is It concert footage) Of his voice his wife later wrote that it "was a tenor, rather soft in speaking and delicate in singing, but when anything excited him, or it became necessary to exert it, it was both powerful and energetic".(His voice this time around was also the same. Soft spoken, yet powerful when excited)
Leutgeb and Mozart carried on a curious kind of friendly mockery, often with Leutgeb as the butt of Mozart's practical jokes. (Michael was a practical joker this time around as well.) He enjoyed billiards and dancing, and kept pets: a canary, a starling, a dog, and also a horse for recreational riding (Michael also enjoyed dancing and lots of pets!) Mozart was a versatile composer, and wrote in every major genre,(also apparent in Michael's career) including symphony, opera, the solo concerto, chamber music including string quartet and string quintet, and the piano sonata. These forms were not new, but Mozart advanced their technical sophistication and emotional reach. (Also apparent in his music this time around) He almost single-handedly developed and popularized the Classical piano concerto. He wrote a great deal of religious music, including large-scale masses, but also dances,divertimenti, serenades, and other forms of light entertainment.(Michael Jackson was not just a musician this time around, he was an "entertainer" - complete with message, story line, music and dance; similar to an opera)
Michael suggested meeting at a place called the Arc de Triomphe. This architectural piece honors those who fought and died for France in the French Revolution. I didn't know that at the time. I had told him about remembering my past life then and during that time I did die in the French Revolution. Ironically, when I arrived I found out that the street it sits on is called Avenue des Champs-Élysées. The name is French for Elysian Fields. In Greek mythology it means the place where the blessed dead will meet again and find it very poetic looking back since we had both died during that lifetime, just a few years apart. There is much more synchronicity with this situation, but I'm going to try very hard to stay on his lifetime only now to point out it's relevance to today.
Michael is shown above revisiting the wax figure of his prior incarnation, although not in the same year. This is the same incarnation that was spent with the gentlemen I mentioned in a previous post - St Germain, the Wonderman of Europe and now ascended master.
Recently, Michael has told me about the "Requiem" during that life and wanted to share. This may be quite unsettling for some, since it pertains to the same set of circumstances that led to his death this time.
Michael is shown above revisiting the wax figure of his prior incarnation, although not in the same year. This is the same incarnation that was spent with the gentlemen I mentioned in a previous post - St Germain, the Wonderman of Europe and now ascended master.
Recently, Michael has told me about the "Requiem" during that life and wanted to share. This may be quite unsettling for some, since it pertains to the same set of circumstances that led to his death this time.
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| Arc de Triomphe - This Is It concert footage shows something similar in the background |
I had mentioned the past life we had during this time, that I was not with him, but we did know each other. He had married someone else, and I too was wed to another. We were both born in Austria and met as children. My home later in that life became Paris.
Although some people believe in past lives and other don't, I do have to say that many years ago I was a "non" believer. It wasn't until I "experienced" some of my past lives that I started believing in them. Since then, I've found them to be very helpful in discerning the navigation of the present life. We are most always brought back together with those from our past lives to learn lessons and complete what hadn't been complete in the prior incarnations. Most often these people play the same roles, unknowingly. If you are conscious of the roles they played previously, you'll be much better equipped to know what needs to be learned and done with them this time around. Again, this is all about learning and working through our karma (what we've done to others/what they have done to us - it all comes back to us; whatever we give out)
I'll note the similarities, although not all of them, of this lifetime for Michael Jackson in italics - so if you want to read through them you can or if you'd prefer you can skip them, reading through just the story.
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| Mozart's sister, nicknamed "Nannerl" |
| Janet Jackson, Michael's sister |
Wolfgang Amadeus Mozart, as most everyone knows, was a famous composer born in Austria in 1756. He was considered a prodigy at a very young age and played for the royal courts in many countries. (Michael during this lifetime also began his musical career at a young age and played private performances for royalty) His father, who was also a musician, eventually gave up composing when his son's musical talents became evident. ( A fact also present with Michael and his father this time around). During Mozart's youth, his family made several European journeys in which he and Nannerl performed as child prodigies. (The Jackson family also made journeys or "tours" performing around the world. I believe that Nannerl, Mozart's sister, was Janet, Michael's this time around sister. However, it's only an observation. I have had no experiences or witness to this fact, only a "feeling".)
Mozart's father exchanged intense letters with his son, urging him to be reconciled with their employer. Mozart passionately defended his intention to pursue an independent career in Vienna. The debate ended when Mozart was dismissed by the archbishop, freeing himself both of his employer and his father's demands to return. Solomon characterizes Mozart's resignation as a "revolutionary step", and it greatly altered the course of his life. (This passage was taken from Wikipedia, but also is reminiscent of the relationship this time around with Michael's dad. Michael also changed the course of his life when he decided to act independently and begin his solo career this time around.)
He was small and his countenance, except for his large intense eyes, gave no signs of his genius." His facial complexion was pitted, a reminder of his childhood case of smallpox. (This time Michael also had complexion problems and large intense eyes.) He loved elegant clothing. (Michael liked to dress) Kelly remembered him at a rehearsal: "[He] was on the stage with his crimson pelisse and gold-laced cocked hat,(maybe like the one at right?) giving the time of the music to the orchestra.(You can see him giving time to the orchestration in the This Is It concert footage) Of his voice his wife later wrote that it "was a tenor, rather soft in speaking and delicate in singing, but when anything excited him, or it became necessary to exert it, it was both powerful and energetic".(His voice this time around was also the same. Soft spoken, yet powerful when excited)
Leutgeb and Mozart carried on a curious kind of friendly mockery, often with Leutgeb as the butt of Mozart's practical jokes. (Michael was a practical joker this time around as well.) He enjoyed billiards and dancing, and kept pets: a canary, a starling, a dog, and also a horse for recreational riding (Michael also enjoyed dancing and lots of pets!) Mozart was a versatile composer, and wrote in every major genre,(also apparent in Michael's career) including symphony, opera, the solo concerto, chamber music including string quartet and string quintet, and the piano sonata. These forms were not new, but Mozart advanced their technical sophistication and emotional reach. (Also apparent in his music this time around) He almost single-handedly developed and popularized the Classical piano concerto. He wrote a great deal of religious music, including large-scale masses, but also dances,divertimenti, serenades, and other forms of light entertainment.(Michael Jackson was not just a musician this time around, he was an "entertainer" - complete with message, story line, music and dance; similar to an opera)
Just prior to his death, Mozart did a public performance of one of his greatest pieces, "The Magic Flute" (It reminds me of the poem Michael wrote called "Magical Child" If you go here (http://www.angelfire.com/ca/mjangel/magical.html)
you can read part one and two. Like I said, Michael knew his purpose early on. The photos above with the Arc in Paris that he used in the "This Is It" footage, was taken from the rendition of "They Don't Care About Us". The message? Remember his soldier uniforms, the number 7, and now the arch? He wanted to awaken God's army to return us and gather all the "Magical Children" to restore caring for each other and the planet. "I'm here to remind you . . all I wanna say it that they don't really care about us." If it sounds familiar, it's because in a previous post I stated the same type of intention. St Germain, who is the ascended master who asked for his help is serving on the seventh ray, is also "gathering" those from his past lives to awaken the many and return us to a state of loving acceptance of one another and enlighten us . . which leads us back to .. . the "Age of Enlightenment" . . in which Mozart was alive . . .
The Magic Flute is noted for its prominent Masonic elements (St Germain was also a Freemason) Schikaneder and Mozart were Masons and lodge brothers (see: Mozart and Freemasonry). The opera is also influenced by Enlightenment philosophy, and can be regarded as an allegory advocating enlightened absolutism. The Queen of the Night represents a dangerous form of obscurantism or, according to some, the anti-Masonic Empress Maria Theresa (This was my mother that lifetime. Marie Antoinette's mother. Against the union then, and in this lifetime, against the union as well) Her antagonist Sarastro symbolises the enlightened sovereign who rules according to principles based on reason, wisdom, and nature. The story itself portrays the education of mankind, progressing from chaos through religious superstition to rationalistic enlightenment, by means of trial (Tamino) and error (Papageno), ultimately to make "the Earth a heavenly kingdom, and mortals like the gods" (Michael was still trying. Again, it was and still is dangerous to know the truth. Mere mortals like gods would mean we would be free people, not 'controlled' people.)
It's been said that the libretto of Mozart's Magic Flute speaks of "das Siebenfache Sonnenkreis" (in English it means "seven times the solar circle) that someone receives after re-uniting with its twin-flame and have undergone all phases of purification. It is further evidence that Michael had re-united with at least one of his twin flames in that lifetime. There is a place that you can go today and still feel it's resonance.
Remember the post I spoke about raising the consciousness when two twin flames join? There is a place in Paris that was built for Marie Antoinette at Versailles. It is a theater where she would perform her operas. She was Mozart's biggest supporter of his work (operas) and often promoted it. It's been said that her death was planned just after publicly supporting the Marriage of Figaro for Mozart. It's not fashionable to speak "truth". (So I guess I'm doing it again!) But it is in that theater that even the chief conservator who has worked at the former royal palace for four decades says: "From time to time, you have to visit a spot like the theater when there's no one else around to give the place a chance to trigger an emotional reaction," he said. "You're thinking about other things, then all of a sudden, you're totally surprised. It's a state of grace, an aura you sense—even after 40 years here."
- from Smithsonian
So here we come again, this time around. Michael was sending the same message. Using the images, the lyrics, his performance to spread the message of love and enlightenment. He was ready to embark on the next stage of his life, knowing what needed to be said and done.
Now if history and this past life thing has any relevance to this current life, lets take a look back and see what happened to Mozart after his performance of the Magic Flute, on September 30, 1791.
He had been writing the Requiem. It was left unfinished at the composer's death on December 5, 1791. (Michael was working on the This Is It concert series when he passed and announced This Is It as his "final curtain call" on March 5, 2009. He knew then he was going to pass. He passed on June 25, 2009, again just a few months after his last public appearance, similar to Mozart) . A completion of the Requiem by Franz Xaver Süssmayr was delivered to Count Franz von Walsegg, who had anonymously commissioned the piece for a requiem Mass to commemorate the February 14 anniversary of his wife's death.
It is one of the most enigmatic pieces of music ever composed, mostly because of the myths and controversies surrounding it, especially around how much of the piece was completed by Mozart before his death. Walsegg probably intended to pass the Requiem off as his own composition, as he is known to have done with other works. This plan was frustrated by a public benefit performance for Mozart's widow Constanze. A modern contribution to the mythology is Peter Shaffer's 1979 play Amadeus, in which the mysterious messenger with the commission is the masked Antonio Salieri who intends to claim authorship for himself.
Mysterious messenger in the Mozart times, equates to mysterious murderer to me in these times. This is why: I had told you already about the part where Michael told me he was given a shot, he didn't kill himself, and it wasn't Dr Murray who administered the fatal dose. These same circumstances come back into play because I've also been told that the original plan for the This Is It concert series was to keep Michael doped up and have a double come in and perform. Sort of like stealing his identity and still raking in the cash. You can see the evidence unfolding in the trial. Can a doctor really be that negligent or was it intentional? He wanted control of Michael and that was evident. Michael's demeanor showed signs that he was being doped up, unable to perform, all staged in a scheme to steal away everything he had. A scheme that went too far. He even told his children he knew he was going to die, complained about his physical reactions to what they were giving him.
In the Mozart years, his passing was the same. Even now, they don't know exactly what killed him. They say he was already really sick, the same way they are trying to portray Michael now - "he was already being given drugs and addicted". I don't believe Mozart died of "natural" means and don't believe Michael died of "natural" means. Both were murdered, both by people who wanted to use their talent to make money.
Mysterious rumors surrounding Mozart’s Requiem started circulating very soon after the composer’s death. At first, the story was that Mozart, physically ill and slaving away, was somehow foreseeing his own end. From there on, it was only a matter of time before people were imagining everything from poisonings to Masonic conspiracies. The exact thing that is happening now with Michael.
you can read part one and two. Like I said, Michael knew his purpose early on. The photos above with the Arc in Paris that he used in the "This Is It" footage, was taken from the rendition of "They Don't Care About Us". The message? Remember his soldier uniforms, the number 7, and now the arch? He wanted to awaken God's army to return us and gather all the "Magical Children" to restore caring for each other and the planet. "I'm here to remind you . . all I wanna say it that they don't really care about us." If it sounds familiar, it's because in a previous post I stated the same type of intention. St Germain, who is the ascended master who asked for his help is serving on the seventh ray, is also "gathering" those from his past lives to awaken the many and return us to a state of loving acceptance of one another and enlighten us . . which leads us back to .. . the "Age of Enlightenment" . . in which Mozart was alive . . .
The Magic Flute is noted for its prominent Masonic elements (St Germain was also a Freemason) Schikaneder and Mozart were Masons and lodge brothers (see: Mozart and Freemasonry). The opera is also influenced by Enlightenment philosophy, and can be regarded as an allegory advocating enlightened absolutism. The Queen of the Night represents a dangerous form of obscurantism or, according to some, the anti-Masonic Empress Maria Theresa (This was my mother that lifetime. Marie Antoinette's mother. Against the union then, and in this lifetime, against the union as well) Her antagonist Sarastro symbolises the enlightened sovereign who rules according to principles based on reason, wisdom, and nature. The story itself portrays the education of mankind, progressing from chaos through religious superstition to rationalistic enlightenment, by means of trial (Tamino) and error (Papageno), ultimately to make "the Earth a heavenly kingdom, and mortals like the gods" (Michael was still trying. Again, it was and still is dangerous to know the truth. Mere mortals like gods would mean we would be free people, not 'controlled' people.)
It's been said that the libretto of Mozart's Magic Flute speaks of "das Siebenfache Sonnenkreis" (in English it means "seven times the solar circle) that someone receives after re-uniting with its twin-flame and have undergone all phases of purification. It is further evidence that Michael had re-united with at least one of his twin flames in that lifetime. There is a place that you can go today and still feel it's resonance.
Remember the post I spoke about raising the consciousness when two twin flames join? There is a place in Paris that was built for Marie Antoinette at Versailles. It is a theater where she would perform her operas. She was Mozart's biggest supporter of his work (operas) and often promoted it. It's been said that her death was planned just after publicly supporting the Marriage of Figaro for Mozart. It's not fashionable to speak "truth". (So I guess I'm doing it again!) But it is in that theater that even the chief conservator who has worked at the former royal palace for four decades says: "From time to time, you have to visit a spot like the theater when there's no one else around to give the place a chance to trigger an emotional reaction," he said. "You're thinking about other things, then all of a sudden, you're totally surprised. It's a state of grace, an aura you sense—even after 40 years here."
- from Smithsonian
So here we come again, this time around. Michael was sending the same message. Using the images, the lyrics, his performance to spread the message of love and enlightenment. He was ready to embark on the next stage of his life, knowing what needed to be said and done.
Now if history and this past life thing has any relevance to this current life, lets take a look back and see what happened to Mozart after his performance of the Magic Flute, on September 30, 1791.
He had been writing the Requiem. It was left unfinished at the composer's death on December 5, 1791. (Michael was working on the This Is It concert series when he passed and announced This Is It as his "final curtain call" on March 5, 2009. He knew then he was going to pass. He passed on June 25, 2009, again just a few months after his last public appearance, similar to Mozart) . A completion of the Requiem by Franz Xaver Süssmayr was delivered to Count Franz von Walsegg, who had anonymously commissioned the piece for a requiem Mass to commemorate the February 14 anniversary of his wife's death.
It is one of the most enigmatic pieces of music ever composed, mostly because of the myths and controversies surrounding it, especially around how much of the piece was completed by Mozart before his death. Walsegg probably intended to pass the Requiem off as his own composition, as he is known to have done with other works. This plan was frustrated by a public benefit performance for Mozart's widow Constanze. A modern contribution to the mythology is Peter Shaffer's 1979 play Amadeus, in which the mysterious messenger with the commission is the masked Antonio Salieri who intends to claim authorship for himself.
Mysterious messenger in the Mozart times, equates to mysterious murderer to me in these times. This is why: I had told you already about the part where Michael told me he was given a shot, he didn't kill himself, and it wasn't Dr Murray who administered the fatal dose. These same circumstances come back into play because I've also been told that the original plan for the This Is It concert series was to keep Michael doped up and have a double come in and perform. Sort of like stealing his identity and still raking in the cash. You can see the evidence unfolding in the trial. Can a doctor really be that negligent or was it intentional? He wanted control of Michael and that was evident. Michael's demeanor showed signs that he was being doped up, unable to perform, all staged in a scheme to steal away everything he had. A scheme that went too far. He even told his children he knew he was going to die, complained about his physical reactions to what they were giving him.
In the Mozart years, his passing was the same. Even now, they don't know exactly what killed him. They say he was already really sick, the same way they are trying to portray Michael now - "he was already being given drugs and addicted". I don't believe Mozart died of "natural" means and don't believe Michael died of "natural" means. Both were murdered, both by people who wanted to use their talent to make money.
Mysterious rumors surrounding Mozart’s Requiem started circulating very soon after the composer’s death. At first, the story was that Mozart, physically ill and slaving away, was somehow foreseeing his own end. From there on, it was only a matter of time before people were imagining everything from poisonings to Masonic conspiracies. The exact thing that is happening now with Michael.
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